Ya Khuda
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Qudrat Ullah Shahab (or Qudratullah Shahab; 1917– July 24 1986) (Urdu: قدرت اللہ شہاب) was an eminent Urdu writer and civil servant from Pakistan. Though he was a well known bureaucrat of Pakistan but he has written some very popular and fantastic books which have a wide readership in Pakistan and across the globe. Ya- Khuda is one his popular books. The book is about the situation of the people who migrated from India to Pakistan at the time of partition. One can know what exactly had happened to migrant people that time. Qudrat Ullah Shahab describes that he was looking for his cousin and best friend Niamat Ullah and his beautiful wife at the Muhajir Camp. When he saw them he was unable to recognize them as they were very sick as they had drunk water which was mixed with copper vitriol by Sikhs and then they died. Qudrat Ullah Shahab, then, narrates a story of a girl Dilshad, who was a Muslim girl and daughter of Mulla Ali Baksh, the Imam of the Masjid in Chamkor, India. Her father was killed by Sikhs and she was kept in the Masjid. Sikhs men kept rapping her one after other and after some days she became pregnant. Sikhs decided to hand her over to the police station and another bad time for her started. She once again became a sexual toy in hands of police and when she reached at a Muhajir camp in India she were about to give birth to the child. While travelling to Pakistan she gave birth to a girl in the train. She expected that her Muslim brothers will welcome here and she would be able to forget all what happened to her and her father. When she heard the names Anwar and Rasheed from to Pakistani boys in Lahore Railway Station she thought that the black night has over and now she has to start a new life in a newly Islamic state in an ideal Islamic brotherhood but all her dreams broke at once and she realized that there is nothing different in India and Pakistan.
Sehra e Kiyaraa Aur Brigade Officers Mess ( Bajang Aamad Chapter 7)
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Chapter 7 from the Urdu Classic “Bajang Aamad”. Colonel Muhammad Khan (Urdu: کرنل محمد خان) (born 1910 – 23 October 1999) was a Pakistan Army officer and a war veteran. He also served in the Indian Army of the undivided British India and was a veteran of World War II. While serving in Pakistan Army, he wrote his first book Bajung Aamad (Urdu: بجنگ آمد) which was a humorous autobiography. This book became extremely popular and became one of the most famous books in Urdu literature. The success of his first book earned him critically acclaimed prominence among Urdu humorists and he is considered one of the most influential authors of this genre. He was the fellow of Mushtaq Ahmad Yusufi, Syed Zameer Jafferi, Shafique-ur-Rehman
Chaltay Hoa Toa Cheen koa Chaleay (Part 7,8,9)
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Part 7: Aapki Umer Kia Hai Part 8: Aazadi Ki Sakht Kami Hai Part 9: Cheen Mein Aurtein Nahi Hotein About the author: Ibn-e-Insha (Punjabi, Urdu: ابن انشاء born Sher Muhammad Khan شیر محمد خان) on June 15, 1927 died January 11, 1978,[1][2][3] was a Pakistani Leftist Urdu poet, humorist, travelogue writer and columnist. Along with his poetry, he was regarded one of the best humorists of Urdu.[1][3] His poetry has a distinctive diction laced with language reminiscent of Amir Khusro in its use of words and construction that is usually heard in the more earthy dialects of the Hindi-Urdu complex of languages, and his forms and poetic style is an influence on generations of young poets
Chaltay Hoa Toa Cheen koa Chaleay (Part 5,6)
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Part 5: – Zara Deewar e Cheen Tak Part 6: – Ek Din Urdu Ke Students Ke Saath About the author: Ibn-e-Insha (Punjabi, Urdu: ابن انشاء born Sher Muhammad Khan شیر محمد خان) on June 15, 1927 died January 11, 1978,[1][2][3] was a Pakistani Leftist Urdu poet, humorist, travelogue writer and columnist. Along with his poetry, he was regarded one of the best humorists of Urdu.[1][3] His poetry has a distinctive diction laced with language reminiscent of Amir Khusro in its use of words and construction that is usually heard in the more earthy dialects of the Hindi-Urdu complex of languages, and his forms and poetic style is an influence on generations of young poets
